Dive deep into new handpan skills

Course Curriculum
Introduction
Introduction
Hello and welcome 👋
3:36
Hello and welcome 👋
Notation key
2:31
Notation key
1. First Composition
1. First Composition
1.1 First Composition Breakdown
2:28
1.1 First Composition Breakdown
1.2 Assignment #1: Your 1st Composition
2:52
1.2 Assignment #1: Your 1st Composition
2. Musical Structure
2. Musical Structure
2.1 Musical Structure - A and B Sections
5:17
2.1 Musical Structure - A and B Sections
2.2 Musical Structure - Adding Section C
5:32
2.2 Musical Structure - Adding Section C
2.3 Musical Structure - Intro and Outro
4:24
2.3 Musical Structure - Intro and Outro
3. Composing from a Groove (Asymmetric Refraction)
3. Composing from a Groove (Asymmetric Refraction)
3.1 Asymmetric Refraction 1.0 Solo Performance
3:22
3.1 Asymmetric Refraction 1.0 Solo Performance
3.2 Asymmetric Refraction 1.0 - Breakdown I
2:31
3.2 Asymmetric Refraction 1.0 - Breakdown I
3.3 Asymmetric Refraction 1.0 - Breakdown II
2:19
3.3 Asymmetric Refraction 1.0 - Breakdown II
3.4 Assignment #2: Melodic Variations over a Groove
0:32
3.4 Assignment #2: Melodic Variations over a Groove
3.5 Asymmetric Refraction 2.0 - Adding a 2nd Instrument
1:36
3.5 Asymmetric Refraction 2.0 - Adding a 2nd Instrument
3.6 Asymmetric Refraction 2.0 Solo Performance
2:34
3.6 Asymmetric Refraction 2.0 Solo Performance
3.7 Asymmetric Refraction 2.0 Duo Performance feat. Naghmeh Farahmand
3:47
3.7 Asymmetric Refraction 2.0 Duo Performance feat. Naghmeh Farahmand
3.8 Assignment #3: Adding a 2nd Instrument
0:24
3.8 Assignment #3: Adding a 2nd Instrument
3.9 Asymmetric Refraction 3.0 Duo Performance feat. Milena Holtz
4:14
3.9 Asymmetric Refraction 3.0 Duo Performance feat. Milena Holtz
3.10 Asymmetric Refraction on Kurd 9 scale
3:38
3.10 Asymmetric Refraction on Kurd 9 scale
4. Creating Long Cycles
4. Creating Long Cycles
4.1 Creating Long Cycles [including assignment #4]
6:35
4.1 Creating Long Cycles [including assignment #4]
5. Composing from a Melody (Sulla Lulla)
5. Composing from a Melody (Sulla Lulla)
5.1 Sulla Lulla Breakdown
5:30
5.1 Sulla Lulla Breakdown
5.2 Sulla Lulla Performance
2:54
5.2 Sulla Lulla Performance
5.3 How to Create Basslines I
7:41
5.3 How to Create Basslines I
5.4 How to Create Basslines II
7:53
5.4 How to Create Basslines II
5.5 Assignment #5: Compose Melody and Bassline
0:45
5.5 Assignment #5: Compose Melody and Bassline
5.6 Sulla Lulla on extended Yishama
3:35
5.6 Sulla Lulla on extended Yishama
Bonus Video - Sulla Lulla Duet - from Handpan Friday Youtube series
14:46
Bonus Video - Sulla Lulla Duet - from Handpan Friday Youtube series
6. Musical Contrast
6. Musical Contrast
6.1 Musical Contrast
7:29
6.1 Musical Contrast
6.2 Assignment #6: Create Musical Contrast
4:25
6.2 Assignment #6: Create Musical Contrast
7. Composing from a Pattern (Miguel's Lullaby)
7. Composing from a Pattern (Miguel's Lullaby)
7.1 Composing from a Pattern (2 against 3)
2:04
7.1 Composing from a Pattern (2 against 3)
7.2 Basic 2 against 3 with Chord Progression
5:39
7.2 Basic 2 against 3 with Chord Progression
7.3 Miguel's Lullaby - A Section
3:58
7.3 Miguel's Lullaby - A Section
7.4 Miguel's Lullaby - B Section
1:37
7.4 Miguel's Lullaby - B Section
7.5 Miguel's Lullaby - C and D Sections
4:07
7.5 Miguel's Lullaby - C and D Sections
7.6 Assignment #7: Pattern and Progression
4:20
7.6 Assignment #7: Pattern and Progression
7.7 Miguel's Lullaby Solo Performance
3:59
7.7 Miguel's Lullaby Solo Performance
7.8 Miguel's Lullaby Trio Performance feat. Richard Ekre-Suzzi and Mauricio Garay
6:57
7.8 Miguel's Lullaby Trio Performance feat. Richard Ekre-Suzzi and Mauricio Garay
7.9 Miguel's Lullaby on Kurd 9
2:54
7.9 Miguel's Lullaby on Kurd 9
8. Phrasing
8. Phrasing
8.1 Phrasing
5:02
8.1 Phrasing
8.2 More Phrasing
3:39
8.2 More Phrasing
8.3 Assignment #8: Spicy Rhythm Please!
0:54
8.3 Assignment #8: Spicy Rhythm Please!
9. Pedal Tones and Independence (Sound of Viborg)
9. Pedal Tones and Independence (Sound of Viborg)
9.1 Pedal Tones Examples
7:36
9.1 Pedal Tones Examples
9.2 Sound of Viborg Breakdown
11:50
9.2 Sound of Viborg Breakdown
9.3 Assignment #9: Pedal Tone and Independence
5:51
9.3 Assignment #9: Pedal Tone and Independence
9.4 Sound of Viborg on Kurd 9
3:30
9.4 Sound of Viborg on Kurd 9
Sound of Viborg - Trio Performance feat. Nadishana and Armin Metz
8:18
Sound of Viborg - Trio Performance feat. Nadishana and Armin Metz
10. What Does a Note Want?
10. What Does a Note Want?
10.1 What does a note want to tell you [including assignment #10]
4:33
10.1 What does a note want to tell you [including assignment #10]
10.2 What do the Kurd 9 notes want to tell us?
6:06
10.2 What do the Kurd 9 notes want to tell us?
11. Working with Ostinatos (Dark Red Butterfly)
11. Working with Ostinatos (Dark Red Butterfly)
11.1 Dark Red Butterfly - A and B Sections
2:44
11.1 Dark Red Butterfly - A and B Sections
11.2 Dark Red Butterfly Improvisation
2:52
11.2 Dark Red Butterfly Improvisation
11.3 Assignment #11: Working with Ostinatos
4:42
11.3 Assignment #11: Working with Ostinatos
11.4 Dark Red Butterfly - C and D sections
3:12
11.4 Dark Red Butterfly - C and D sections
11.5 Dark Red Butterfly Performance
5:13
11.5 Dark Red Butterfly Performance
11.6 Dark Red Butterfly on Kurd 9
6:54
11.6 Dark Red Butterfly on Kurd 9
11.7 Dark Red Butterfly on Amara/Celtic Minor
4:17
11.7 Dark Red Butterfly on Amara/Celtic Minor
11.8 Assignment #12: Transfer a piece to another instrument
0:31
11.8 Assignment #12: Transfer a piece to another instrument
11.9 Tips for Working with Ostinatos I
4:15
11.9 Tips for Working with Ostinatos I
11.10 Tips for Working with Ostinatos II
3:16
11.10 Tips for Working with Ostinatos II
12. Musical Expectations
12. Musical Expectations
12.1 Musical Expectations
4:28
12.1 Musical Expectations
12.2 Deceptive Cadence
1:33
12.2 Deceptive Cadence
12.3 Free Melody
2:14
12.3 Free Melody
12.4 Assignment #13: Create and mess with expectations
0:30
12.4 Assignment #13: Create and mess with expectations
13. Intervals
13. Intervals
13.1 Intervals
2:13
13.1 Intervals
13.2 Intervals - Octave, 2nd and 3rd
3:46
13.2 Intervals - Octave, 2nd and 3rd
13.3 Intervals - 4th, 5th, 6th and 7th
6:08
13.3 Intervals - 4th, 5th, 6th and 7th
13.4 Assignment #14: Interval Progression into Musical Section
0:49
13.4 Assignment #14: Interval Progression into Musical Section
13.5 Examples for Interval Progressions
4:22
13.5 Examples for Interval Progressions
Bonus Video - Arpeggios and Triads - from the Handpan Friday Youtube series
10:17
Bonus Video - Arpeggios and Triads - from the Handpan Friday Youtube series
14. Minimalistic Composition
14. Minimalistic Composition
14.1 Minimalistic Composition Breakdown
6:10
14.1 Minimalistic Composition Breakdown
14.2 Minimalistic Composition Performance
3:15
14.2 Minimalistic Composition Performance
14.3 Assignment #15: Minimalistic Composition
0:51
14.3 Assignment #15: Minimalistic Composition
Final Assignment
Final Assignment
Final Assignment
0:44
Final Assignment
Listening Suggestions
Listening Suggestions
David K
David K
Nadishana
Nadishana
Kabecao
Kabecao
Manu Delago
Manu Delago
Liron Man
Liron Man
Introduction
Introduction
Hello and welcome 👋
3:36
Hello and welcome 👋
Notation key
2:31
Notation key
1. First Composition
1. First Composition
1.1 First Composition Breakdown
2:28
1.1 First Composition Breakdown
1.2 Assignment #1: Your 1st Composition
2:52
1.2 Assignment #1: Your 1st Composition
2. Musical Structure
2. Musical Structure
2.1 Musical Structure - A and B Sections
5:17
2.1 Musical Structure - A and B Sections
2.2 Musical Structure - Adding Section C
5:32
2.2 Musical Structure - Adding Section C
2.3 Musical Structure - Intro and Outro
4:24
2.3 Musical Structure - Intro and Outro
3. Composing from a Groove (Asymmetric Refraction)
3. Composing from a Groove (Asymmetric Refraction)
3.1 Asymmetric Refraction 1.0 Solo Performance
3:22
3.1 Asymmetric Refraction 1.0 Solo Performance
3.2 Asymmetric Refraction 1.0 - Breakdown I
2:31
3.2 Asymmetric Refraction 1.0 - Breakdown I
3.3 Asymmetric Refraction 1.0 - Breakdown II
2:19
3.3 Asymmetric Refraction 1.0 - Breakdown II
3.4 Assignment #2: Melodic Variations over a Groove
0:32
3.4 Assignment #2: Melodic Variations over a Groove
3.5 Asymmetric Refraction 2.0 - Adding a 2nd Instrument
1:36
3.5 Asymmetric Refraction 2.0 - Adding a 2nd Instrument
3.6 Asymmetric Refraction 2.0 Solo Performance
2:34
3.6 Asymmetric Refraction 2.0 Solo Performance
3.7 Asymmetric Refraction 2.0 Duo Performance feat. Naghmeh Farahmand
3:47
3.7 Asymmetric Refraction 2.0 Duo Performance feat. Naghmeh Farahmand
3.8 Assignment #3: Adding a 2nd Instrument
0:24
3.8 Assignment #3: Adding a 2nd Instrument
3.9 Asymmetric Refraction 3.0 Duo Performance feat. Milena Holtz
4:14
3.9 Asymmetric Refraction 3.0 Duo Performance feat. Milena Holtz
3.10 Asymmetric Refraction on Kurd 9 scale
3:38
3.10 Asymmetric Refraction on Kurd 9 scale
4. Creating Long Cycles
4. Creating Long Cycles
4.1 Creating Long Cycles [including assignment #4]
6:35
4.1 Creating Long Cycles [including assignment #4]
5. Composing from a Melody (Sulla Lulla)
5. Composing from a Melody (Sulla Lulla)
5.1 Sulla Lulla Breakdown
5:30
5.1 Sulla Lulla Breakdown
5.2 Sulla Lulla Performance
2:54
5.2 Sulla Lulla Performance
5.3 How to Create Basslines I
7:41
5.3 How to Create Basslines I
5.4 How to Create Basslines II
7:53
5.4 How to Create Basslines II
5.5 Assignment #5: Compose Melody and Bassline
0:45
5.5 Assignment #5: Compose Melody and Bassline
5.6 Sulla Lulla on extended Yishama
3:35
5.6 Sulla Lulla on extended Yishama
Bonus Video - Sulla Lulla Duet - from Handpan Friday Youtube series
14:46
Bonus Video - Sulla Lulla Duet - from Handpan Friday Youtube series
6. Musical Contrast
6. Musical Contrast
6.1 Musical Contrast
7:29
6.1 Musical Contrast
6.2 Assignment #6: Create Musical Contrast
4:25
6.2 Assignment #6: Create Musical Contrast
7. Composing from a Pattern (Miguel's Lullaby)
7. Composing from a Pattern (Miguel's Lullaby)
7.1 Composing from a Pattern (2 against 3)
2:04
7.1 Composing from a Pattern (2 against 3)
7.2 Basic 2 against 3 with Chord Progression
5:39
7.2 Basic 2 against 3 with Chord Progression
7.3 Miguel's Lullaby - A Section
3:58
7.3 Miguel's Lullaby - A Section
7.4 Miguel's Lullaby - B Section
1:37
7.4 Miguel's Lullaby - B Section
7.5 Miguel's Lullaby - C and D Sections
4:07
7.5 Miguel's Lullaby - C and D Sections
7.6 Assignment #7: Pattern and Progression
4:20
7.6 Assignment #7: Pattern and Progression
7.7 Miguel's Lullaby Solo Performance
3:59
7.7 Miguel's Lullaby Solo Performance
7.8 Miguel's Lullaby Trio Performance feat. Richard Ekre-Suzzi and Mauricio Garay
6:57
7.8 Miguel's Lullaby Trio Performance feat. Richard Ekre-Suzzi and Mauricio Garay
7.9 Miguel's Lullaby on Kurd 9
2:54
7.9 Miguel's Lullaby on Kurd 9
8. Phrasing
8. Phrasing
8.1 Phrasing
5:02
8.1 Phrasing
8.2 More Phrasing
3:39
8.2 More Phrasing
8.3 Assignment #8: Spicy Rhythm Please!
0:54
8.3 Assignment #8: Spicy Rhythm Please!
9. Pedal Tones and Independence (Sound of Viborg)
9. Pedal Tones and Independence (Sound of Viborg)
9.1 Pedal Tones Examples
7:36
9.1 Pedal Tones Examples
9.2 Sound of Viborg Breakdown
11:50
9.2 Sound of Viborg Breakdown
9.3 Assignment #9: Pedal Tone and Independence
5:51
9.3 Assignment #9: Pedal Tone and Independence
9.4 Sound of Viborg on Kurd 9
3:30
9.4 Sound of Viborg on Kurd 9
Sound of Viborg - Trio Performance feat. Nadishana and Armin Metz
8:18
Sound of Viborg - Trio Performance feat. Nadishana and Armin Metz
10. What Does a Note Want?
10. What Does a Note Want?
10.1 What does a note want to tell you [including assignment #10]
4:33
10.1 What does a note want to tell you [including assignment #10]
10.2 What do the Kurd 9 notes want to tell us?
6:06
10.2 What do the Kurd 9 notes want to tell us?
11. Working with Ostinatos (Dark Red Butterfly)
11. Working with Ostinatos (Dark Red Butterfly)
11.1 Dark Red Butterfly - A and B Sections
2:44
11.1 Dark Red Butterfly - A and B Sections
11.2 Dark Red Butterfly Improvisation
2:52
11.2 Dark Red Butterfly Improvisation
11.3 Assignment #11: Working with Ostinatos
4:42
11.3 Assignment #11: Working with Ostinatos
11.4 Dark Red Butterfly - C and D sections
3:12
11.4 Dark Red Butterfly - C and D sections
11.5 Dark Red Butterfly Performance
5:13
11.5 Dark Red Butterfly Performance
11.6 Dark Red Butterfly on Kurd 9
6:54
11.6 Dark Red Butterfly on Kurd 9
11.7 Dark Red Butterfly on Amara/Celtic Minor
4:17
11.7 Dark Red Butterfly on Amara/Celtic Minor
11.8 Assignment #12: Transfer a piece to another instrument
0:31
11.8 Assignment #12: Transfer a piece to another instrument
11.9 Tips for Working with Ostinatos I
4:15
11.9 Tips for Working with Ostinatos I
11.10 Tips for Working with Ostinatos II
3:16
11.10 Tips for Working with Ostinatos II
12. Musical Expectations
12. Musical Expectations
12.1 Musical Expectations
4:28
12.1 Musical Expectations
12.2 Deceptive Cadence
1:33
12.2 Deceptive Cadence
12.3 Free Melody
2:14
12.3 Free Melody
12.4 Assignment #13: Create and mess with expectations
0:30
12.4 Assignment #13: Create and mess with expectations
13. Intervals
13. Intervals
13.1 Intervals
2:13
13.1 Intervals
13.2 Intervals - Octave, 2nd and 3rd
3:46
13.2 Intervals - Octave, 2nd and 3rd
13.3 Intervals - 4th, 5th, 6th and 7th
6:08
13.3 Intervals - 4th, 5th, 6th and 7th
13.4 Assignment #14: Interval Progression into Musical Section
0:49
13.4 Assignment #14: Interval Progression into Musical Section
13.5 Examples for Interval Progressions
4:22
13.5 Examples for Interval Progressions
Bonus Video - Arpeggios and Triads - from the Handpan Friday Youtube series
10:17
Bonus Video - Arpeggios and Triads - from the Handpan Friday Youtube series
14. Minimalistic Composition
14. Minimalistic Composition
14.1 Minimalistic Composition Breakdown
6:10
14.1 Minimalistic Composition Breakdown
14.2 Minimalistic Composition Performance
3:15
14.2 Minimalistic Composition Performance
14.3 Assignment #15: Minimalistic Composition
0:51
14.3 Assignment #15: Minimalistic Composition
Final Assignment
Final Assignment
Final Assignment
0:44
Final Assignment
Listening Suggestions
Listening Suggestions
David K
David K
Nadishana
Nadishana
Kabecao
Kabecao
Manu Delago
Manu Delago
Liron Man
Liron Man

David Kuckhermann is a Grammy nominated and world renowned handpan player and percussionist based in Berlin, Germany. His musical teaching methods are based on more than 20+ years of playing and professional teaching experience.

He has taught more than 10,000 students from all around the world as the founder of online instrument education schools: Handpan Dojo and World Percussion Academy.

His Youtube channel has more than 10 million views and features a wide selection of performances and educational videos.

Learning simplified, fun amplified

See every move

Immersive videos with clear views

All our lessons are shot from above. This means when the instructor uses their left hand, it aligns with your left, and the same for the right. Say goodbye to the brain-bending task of reverse thinking.

We break down every pattern gradually, allowing you to mirror your teacher's hand movements on the handpan with ease.

Compatible with your instrument

Got a central note on top and notes around it? Perfect! All our courses are 100% compatible with your instrument. Handpan, tongue drum, any scale or note count – you name it, it works.

Watch your progress unfold

Maintain that motivation with a clear view of your handpan journey and your course progress. No matter where you pause, it's a breeze to pick up right where you left off.

Progress at your pace

Dive into lessons anytime and rewatch as often as you like to fit your schedule and lifestyle.

Learn anywhere

Access courses on any device: computer, tablet, smartphone, or smart TV.

A downloadable e-book (PDF) of the course's training sheets
Practice unplugged

E-book: your offline handpan guide

This masterclass offers a notation booklet packed with exercises. Print it out, take it to your favorite spot, and enjoy the freedom to practice offline.

Smile while you learn

A notation system that's fun & innovative

Dive into a world of symbols, colors, numbers, and friendly ghosts (booooo). Designed to help you get the most out of the tutorials, our intuitive hand notation system simplifies things. Any pattern becomes second nature. Simply follow along & let those grooves flow.

See every move

Immersive videos with clear views

All our lessons are shot from above. This means when the instructor uses their left hand, it aligns with your left, and the same for the right. Say goodbye to the brain-bending task of reverse thinking.

We break down every pattern gradually, allowing you to mirror your teacher's hand movements on the handpan with ease.

Compatible with your instrument

Got a central note on top and notes around it? Perfect! All our courses are 100% compatible with your instrument. Handpan, tongue drum, any scale or note count – you name it, it works.

Watch your progress unfold

Maintain that motivation with a clear view of your handpan journey and your course progress. No matter where you pause, it's a breeze to pick up right where you left off.

Progress at your pace

Dive into lessons anytime and rewatch as often as you like to fit your schedule and lifestyle.

Learn anywhere

Access courses on any device: computer, tablet, smartphone, or smart TV.

A downloadable e-book (PDF) of the course's training sheets
Practice unplugged

E-book: your offline handpan guide

This masterclass offers a notation booklet packed with exercises. Print it out, take it to your favorite spot, and enjoy the freedom to practice offline.

Smile while you learn

A notation system that's fun & innovative

Dive into a world of symbols, colors and numbers. Designed to help you get the most out of the tutorials, our intuitive hand notation system simplifies things. Any pattern becomes second nature. Simply follow along & let those grooves flow.

See every move

Immersive videos with clear views

All our lessons are shot from above. This means when the instructor uses their left hand, it aligns with your left, and the same for the right. Say goodbye to the brain-bending task of reverse thinking.

We break down every pattern gradually, allowing you to mirror your teacher's hand movements on the handpan with ease.

Compatible with your instrument

Got a central note on top and notes around it? Perfect! All our courses are 100% compatible with your instrument. Handpan, tongue drum, any scale or note count – you name it, it works.

Watch your progress unfold

Maintain that motivation with a clear view of your handpan journey and your course progress. No matter where you pause, it's a breeze to pick up right where you left off.

Progress at your pace

Dive into lessons anytime and rewatch as often as you like to fit your schedule and lifestyle.

Learn anywhere

Access courses on any device: computer, tablet, smartphone, or smart TV.

Practice unplugged

E-book: your offline handpan guide

This masterclass offers a notation booklet packed with exercises. Print it out, take it to your favorite spot, and enjoy the freedom to practice offline.

A downloadable e-book (PDF) of the course's training sheets
See every move

Immersive videos with clear views

All our lessons are shot from above. This means when the instructor uses their left hand, it aligns with your left, and the same for the right. Say goodbye to the brain-bending task of reverse thinking.

We break down every pattern gradually, allowing you to mirror your teacher's hand movements on the handpan with ease.

Watch your progress unfold

Maintain that motivation with a clear view of your handpan journey and your course progress. No matter where you pause, it's a breeze to pick up right where you left off.

Compatible with your instrument

Got a central note on top and notes around it? Perfect! All our courses are 100% compatible with your instrument. Handpan, tongue drum, any scale or note count – you name it, it works.

Progress at your pace

Dive into lessons anytime and rewatch as often as you like to fit your schedule and lifestyle.

Learn anywhere

Access courses on any device: computer, tablet, smartphone, or smart TV.

Top 3 reasons why you'll love this masterclass

Use grooves, melodies, harmonies, bass lines and other ideas to create musical compositions
Learn some music theory on the way in a straight-forward and practical way
Follow a series of practical assignments and build up a repertoire of your own original music on the way
Get started now!

Start composing your own music in many different ways

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Pay once for lifetime course access
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/month
Unlimited courses & community access
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Unlimited courses & community access
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Cours en anglais
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Very easy to follow, great for beginners starting to play the handpan!
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Aut-Lin Foster

It's a friendly place!! 😀
Alex Buildup

Alex Buildup

I did a lot of courses and tutorials before and with master the handpan you wont miss the details for fast progress in independence in your learning process.
Frank Delp

Frank Delp

I simply can't imagine NOT having this online course available! So thankful for it. We all know that local lessons are in short supply or non-existent. And honestly, this is better!
Wyler Hecht

Wyler Hecht

Super fun course, even if your English is not very good, you can follow it very well!
Daniëlla Cristantielli

Daniëlla Cristantielli

Clear and fun lessons, straight to the point and clearly designed for quick progress built on solid foundations.
Rachel Bibby

Rachel Bibby

Amazing course for all levels.
Maui Sztioffstojewski

Maui Sztioffstojewski

Extremely effective learning course. Structured, easy to follow, inspiring. After finalizing it I have the basics to create my own stuff.
Wojciech Jary

Wojciech Jary

It’s crazy, but it feel’s very analog although it’s an online course. Thank you for creating this great school for Handpan.
Annette Mönsters

Annette Mönsters

Frequently Asked Questions

What type of loop station will Jeremy be demonstrating and performing with?

In this masterclass, Jeremy will exclusively be using BOSS loop stations, namely the RC-30, the RC-50 (now replaced by the RC-300) and the RC-505.

He considers these to be the most ergonomic plug’n’play units for percussionists. For instance, they have a microphone input with phantom power, which is not the case for many loop stations.

Also, Boss loop stations are used around the world, allowing people everywhere to share advice and experience.

I don’t have the same loop station as Jeremy. Is this course still for me?

Though a few buttons and features may be different on your loop station, almost all loop stations have similar characteristics and workflow, and you should be able to follow the entire course.

As most of the operations demonstrated and described are the same on all loopers, Jeremy’s masterclass will give you a deeper understanding of how to refine your sound and build beautiful tracks.

What gear is required to follow this masterclass?

To follow this course you will need the following equipment:


Essential:
  • A loop station with an XLR (microphone) input.
  • A decent quality microphone of any brand, with a stand.
  • An XLR (microphone) cable.
  • A pair of headphones or an amplifier to connect to your loop station’s output.
Recommended:
  • Because there is a section on sculpting your instruments with EQ (equalization), a mixer desk with EQs on each channel is desirable.
  • Because there is a section about FX (effects), owning pedals (octaver, delay, reverb, etc.) is also desirable, especially if they are similar to Jeremy’s. (Note that you will receive a full list of Jeremy’s gear as part of the course.)
Optional:
  • Additional instruments other than your handpan (e.g. cajon, keyboard, jaw harp, or any other instrument).

Reading this article will help you choose equipment according to your budget.

What if I’m missing some of the gear listed above?
Are you missing essential gear?

This course will inspire and guide you in the purchase of your first looping equipment.

  • Reading this article will help you choose equipment according to your budget.
  • When you enroll in the course, you will access the full list of equipment used in the masterclass. Why not treat yourself to some new gear in the near future and come back afterwards to enjoy the course in its fullest?
Are you missing recommended or optional gear?
  • Remember that this is a broad and insightful sound/effects/looping course with lots for any musician to take away, whether you have a basic or advanced setup. It was designed with the knowledge that many of the participants will not own the same equipment as Jeremy.
  • Because when you enroll in the course you get lifelong access to Jeremy’s Masterclass, you can start by learning from his experience and gaining inspiration. Later on, when you are able to purchase new gear, you will be able to come back to specific sections and put them into practice. To help you with this, you will receive a full list of Jeremy’s gear as part of the course.
What type of loop station will Jeremy be demonstrating and performing with?

In this masterclass, Jeremy will exclusively be using BOSS loop stations, namely the RC-30, the RC-50 (now replaced by the RC-300) and the RC-505.

He considers these to be the most ergonomic plug’n’play units for percussionists. For instance, they have a microphone input with phantom power, which is not the case for many loop stations.

Also, Boss loop stations are used around the world, allowing people everywhere to share advice and experience.

I don’t have the same loop station as Jeremy. Is this course still for me?

Though a few buttons and features may be different on your loop station, almost all loop stations have similar characteristics and workflow, and you should be able to follow the entire course.

As most of the operations demonstrated and described are the same on all loopers, Jeremy’s masterclass will give you a deeper understanding of how to refine your sound and build beautiful tracks.

What gear is required to follow this masterclass?

To follow this course you will need the following equipment:


Essential:
  • A loop station with an XLR (microphone) input.
  • A decent quality microphone of any brand, with a stand.
  • An XLR (microphone) cable.
  • A pair of headphones or an amplifier to connect to your loop station’s output.
Recommended:
  • Because there is a section on sculpting your instruments with EQ (equalization), a mixer desk with EQs on each channel is desirable.
  • Because there is a section about FX (effects), owning pedals (octaver, delay, reverb, etc.) is also desirable, especially if they are similar to Jeremy’s. (Note that you will receive a full list of Jeremy’s gear as part of the course.)
Optional:
  • Additional instruments other than your handpan (e.g. cajon, keyboard, jaw harp, or any other instrument).

Reading this article will help you choose equipment according to your budget.

What if I’m missing some of the gear listed above?
Are you missing essential gear?

This course will inspire and guide you in the purchase of your first looping equipment.

  • Reading this article will help you choose equipment according to your budget.
  • When you enroll in the course, you will access the full list of equipment used in the masterclass. Why not treat yourself to some new gear in the near future and come back afterwards to enjoy the course in its fullest?
Are you missing recommended or optional gear?
  • Remember that this is a broad and insightful sound/effects/looping course with lots for any musician to take away, whether you have a basic or advanced setup. It was designed with the knowledge that many of the participants will not own the same equipment as Jeremy.
  • Because when you enroll in the course you get lifelong access to Jeremy’s Masterclass, you can start by learning from his experience and gaining inspiration. Later on, when you are able to purchase new gear, you will be able to come back to specific sections and put them into practice. To help you with this, you will receive a full list of Jeremy’s gear as part of the course.
What gear will Tom be using?

Tom will be using a standard computer, an entry-level microphone (Rode NT1A) and audio interface (Focusrite Scarlett 2i2), and of course his ears and creativity.

In some optional lessons, he will be using entry-level midi controllers (Novation Launch Control & Novation Launchpad S).

As we’ve said before, there is nothing fancy here, and any similar gear you own will do perfectly.

What gear is required to follow the lessons?

This course is made for you to be able to follow even if you have very limited equipment.

You only need the following:

Essential:
  • A computer (even a low-performance one is fine).
  • A microphone + audio interface: absolutely any will do, but Tom will advise you in the first few lessons to help you choose if you haven’t already got one. If your microphone can be connected straight into your computer, an audio interface won’t be needed.
  • Some music production software: Tom uses Ableton Live, but you can totally use different software. He explains in one of the first lessons how to get Ableton Live for free or affordably, and what other software you can use – there are many free options!

That’s it, you’re good to go! However, if you have or want to use more equipment, Tom will also take you through optional gear that may be of interest to you in a few of the lessons.

Optional:
  • ClipLaunch midi controller (e.g. Novation’s launchpad) for live performances
  • Mixing midi controller (e.g. Novation’s launch control) for a quicker workflow

These controllers will mainly speed up your workflow and make the process more comfortable and fun. However, you can do absolutely everything without them.

I don’t have Ableton Live or want to use other software.

Tom uses Ableton Live software, but you can totally use different software. He explains in one of the first lessons how to get Ableton Live for free or affordably, and goes through other software options you can choose from.

All music production software is pretty similar so it shouldn’t be difficult for you to follow the course if you are already using another one and want to keep going with it.If you have never used any music production software before and you’re a total beginner, our advice would be to get the trial or the Lite version of Ableton Live to follow the course. (You probably already have the lite version, since it comes free with most audio gear these days!)

You’ll then have the knowledge you need to either switch to another software, or stick with Ableton Live.

Once again, there’s a good chance you can get the Lite version for free, and Tom will explain how. 😉

What if I’m missing some of the gear listed above?
Are you missing essential gear (such as a microphone or interface)?


This course will inspire and guide you to purchase your first set of equipment. If you do not have some of the required gear, great ! You’ll then get some good advice to help you choose. 😉

Are you missing optional gear ?
  • Remember that this is a broad and insightful course with lots for any musician to take away, whether you have a basic or advanced setup. It was designed with the knowledge that many of the participants would not own the same equipment as Tom. Tom will help you understand the concepts rather than focus on the gear itself. That way, you can easily adapt it to any other similar setup.
  • Because you get lifelong access to Tom’s Masterclass when you enroll in the course, you can start by learning from his experience and gaining inspiration. Later on, when you are able to purchase new gear, you can come back to specific sections to get advice, choose the perfect gear for you and put what you’ve learned into practice.
What is included with this masterclass?

When you enroll in this masterclass, we've got everything ready for you to access:

Immediate access to all 68 exclusive lessons
A downloadable e-book (PDF) of the course's training sheets

If you choose our MasterTheHandpan Academy membership (undoubtedly the best value), you'll get everything from the course, plus so much more :
- Unlimited access to all our courses —including the new ones we introduce (3-4 each year)
- Exclusive entry into our vibrant private community

Review the detailed offerings at the bottom of this page

What's the difference between the single course and the all-access pass?

Let's clear this up so you know exactly what you're getting into:

  • Single course: It's a one-time purchase. Buy the course once, and it's yours with lifetime access.
  • All-access pass: MasterTheHandpan Academy offers a membership with unlimited access to all our courses, including 3-4 new ones introduced each year. Your access continues uninterrupted as long as you maintain your membership. Plus, you'll join our private community, where you can participate in Q&A live sessions, workshops, challenges and much more.

For the most comprehensive experience, MasterTheHandpan Academy offers superior value.

How much does the course cost?

- The single masterclass is priced at 

$149

149€

.

It's a one-time purchase. Buy the course once, and it's yours with lifetime access.

- The MasterTheHandpan Academy membership at $29 per month.

This membership not only includes this course but also gives you access to all our other courses, any new courses we add, plus entry into our vibrant community.

Do I need to be tech-savvy to learn through your platform?

Not at all! MasterTheHandpan is designed to be user-friendly. You can easily navigate through the platform, and if you ever encounter any issues, our support team is here to help.

Is my instrument compatible with this course?

Have a central note with surrounding notes? Perfect! Every single one of our courses is designed to be 100% compatible with instruments like the Handpan and the tongue drum. Different scales, note counts, colors? We've got you covered. Here is a 3-video series to clear everything up.

What forms of payment do you accept?

We've got you covered for most payment methods! You can use all the major credit cards like Visa and MasterCard, and for quick checkouts, Google Pay and Apple Pay are ready to go.

If you're paying in euros, you're in luck — we also accept Giropay, iDEAL, and SEPA transfers for your convenience.

Prefer PayPal?
We can make that happen too! Simply contact us, and we'll take care of the details for you.

Can I access the courses on multiple devices?

Yes, you can access our courses on multiple devices. Whether you prefer to learn on your computer, tablet, or smartphone, you'll have full access to all course materials.

Need More Help?

If you still have questions, don't hesitate to reach out. Our friendly customer care team is here to help and would be thrilled to have a chat with you.

Happy student guarantee

Wondering if online lessons are right for you, if you'll use them enough, or if they even work? (Hint: they do). We get it; it's natural. We've got your back with our 14-day, 100% Money Back Guarantee. If you're not happy, we'll handle the refund, no questions asked.

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After 10 years of performing and writing music together, we felt it's time to share the secrets and wonders of what makes Hang Massive and why our shows draw people from all over the world.
The course will include learning to play some of our most well-known songs, expressing oneself from a meditative and relaxed space, and revealing some of the secrets behind our music creation.
We're excited to start filming in August in beautiful France and can't wait to have you involved. Much love, and see you soon!

Danny Cudd and Markus Offbeat

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Unlock your musical potential with the upcoming masterclass, offering powerful tools and techniques to refine your creations and break free from repetitive patterns.

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